Building a distinctive brand

Brand

Building a distinctive brand

Being capable was never the hard part. Being remembered is.

10 minute read

Chris Bennett By Chris Bennett Strategy Director

Being capable isn't enough to be remembered

Think about the last time you needed a plumber. Or an accountant, or a decent contract lawyer. You didn't run a structured evaluation of the market. You reached into your memory, pulled out the one or two names sitting there, and started with those.

Maybe you Googled for some more, or happened across a perfectly-timed (by chance) LinkedIn Ad or something, and you throw those suppliers into the mix too. But in the end, you lean towards that recognisable name. The one that stuck in your memory like something caught in your teeth.

That's how your buyers choose too.

B2B buyers don't go looking for you when they need you (most don't know you exist!). They choose from the brands they already remember. By the time someone is drawing up a shortlist, the real contest is mostly over. It was settled months earlier, quietly, in their head, based on who they could bring to mind. If you weren't in there, you weren't in it.

Which is awkward, because most mid-market service firms are almost impossible to remember.

A grey wash of sameness

Open ten websites in your sector. I'll wait.

Notice anything? They're all blue. They all "put clients first". They're all "trusted partners" delivering "tailored solutions" with "global reach and local expertise". They all have the same photo of a diverse team laughing near a window. It's all the same.

(To be fair, this happens honestly enough. Everyone benchmarks against everyone else, so the whole category slowly drifts toward the same safe, sensible, invisible middle. Nobody chooses to be forgettable.)

The problem is that a buyer's memory doesn't file "safe and sensible". It files "different". If you look and sound like everyone else, you are not competing for a place in their head. You've silently opted out of the running.

We ran the numbers

None of this is a quality problem, which is exactly what makes it so frustrating.

When we benchmarked 200 UK mid-market B2B service firms, more than 80% sat in the bottom two tiers of brand authority. Not because they were bad at the work. In fact, most were perfectly good at what they did. They were capable, and indistinct. Good enough to survive on referrals and relationships, but not distinctive enough to be chosen by anyone who didn't already know them.

You can win every rational comparison on the page and still lose the deal, because you never made it onto the buyer's mental list to begin with.

And it gets worse the longer it runs. While you look like everyone else, someone in your space is sharpening how they show up. They're picking a colour that isn't the same blue. They're publishing a sharper point of view. They're gradually becoming the name that comes to mind first. Recognisability compounds, and right now it might be compounding for them.

The good news is buried in the bad news

Distinctiveness is not about being better. It isn't about being louder, spending more, or shouting your values into the wind.

Ultimately, it's about being recognisable. You want to be the business a buyer can picture, name, and bring to mind at the precise moment it counts. This is a lower bar than "best in market", and a far more useful one, because "best" is subjective and forgettable, while "the one I remember" tends to be the one that actually wins.

What works out in your favour is that very few B2B marketers are working on this. Distinctiveness is one of the lowest-scoring Authority Components across the entire mid-market. Everyone is crammed into the same "sensible" middle, which means the space to stand out is mostly wide open. It is the least contested ground in your whole category, and it's just sitting there. Go get it!

You don't need a bigger budget to take it. You need a look that is unmistakably yours. This could be a colour that bucks the sector norm instead of matching it, or a point of view with a sharp edge. Something you own and publish that no competitor has. Assets you use relentlessly and refuse to change on a whim, because the fastest way to stay forgettable is to reset your brand every time a new person joins and fancies a refresh.

The firms that win at this aren't always the cleverest or the loudest - they're the ones a buyer can still describe a year later.

The constraints of the solution

There's many routes you can take here, and they all depend on what resources you have. This includes time, internal skills, internal capacity, and budget. Let's look at each.

Time

Often, brand work is done in response to some business stimuli. We call these "black swan" events (a highly unpredictable, rare occurrence with severe and widespread consequences - thanks, Wikipedia!). An example could be that a CEO was laughed out of a boardroom with a high-level prospect because your brand made you look the corporate equivalent of a ten-year old wearing his dad's suit. Suddenly, the marketer finds themselves with a rebranding brief. These kind of projects are reactive, and typically have a timeline attached to them.

Depending on this timeline and outcome, you'll want to calibrate the brand work appropriately. Need a major overhaul? You're looking at a 4-6month process of a full rebrand. Need a quick improvement, without changing the fundamentals of your logo and message? That's a refinement, and can be done in as little as a single month.

When it comes to working on Distinctiveness specifically, you're often reworking the core assets of your brand, the ones that people can see and touch (a brochure, a slide deck, the website, exhibition materials etc). These take time to get right and most businesses have to rely on outside design support here.

Budget

This will dictate the scope of what can be improved. Again, you're looking at deciding whether to do smaller updates or larger reworks. More costs more, so take that into account. If you don't quite have the budget you need, then prioritise aggressively and put your budget in those things instead. Leave the others for later.

Internal resources

As mentioned above, you might not have the design capability inhouse to do the work of Distinctiveness. Messing around with Canva is not the same as working with a seasoned creative team. If budget is tight, work with a freelancer. If it's not so much of an issue, find a good agency partner with more capacity.

Many marketing teams also struggle just to get through the business-as-usual work. These are the random, last-minute requests for slide decks. The conference you need to prepare for that was only put on your radar two days ago. You know the drill. Sometime you simply don't have the capacity to do the Distinctiveness work internally.

Building distinctiveness

The next section of the guide covers the "OK, so now what?". I've listed everything you can do here, using an icon for what is possible inhouse (🏒) and what typically requires agency support (πŸš€).

1. Strategy and asset selection (do this first)

This is a series of exercises you can do to strategically orient yourself before you start making changes.

🏒 Separate Distinctiveness (how recognisable and memorable you are) from differentiation (your Perspective component) so you build the right thing

🏒 Audit every existing brand element plus historical elements and candidate ideas, and list key competitor assets alongside for context. Bonus points if you keep in a spreadsheet and revisit bi-yearly

🏒 Build a portfolio of "nice to have" assets. It's important you give yourself space to take risks, but do it with intent. Risk-taking assets should be bold and creative, but invest in them sparingly.

🏒 Concentrate on a small core of 3-5 assets to speed up memory-building in your audience

🏒 Grow your brand asset portfolio mostly by addition (~70%, filling gaps) and sometimes by pruning (~30%, cutting weak assets that feel "samey" in the sector)

🏒 Build assets in phases, especially on smaller budgets. Only start the next phase once the first has achieved its goal (focus on one asset at a time if budget is tiny)

🏒 Don't select assets for their meaning. Meaning is shared across competitors, tends to date quickly, and can blind you to drawbacks. Prioritise assets that are inherently about the brand. This is where the Perspective component can help

🏒 Diagnose where your brand is drifting first and decide whether you are realigning (a bigger project) or refining (smaller), then set the project scope to realistic budgets and timescales

🏒 Roll out on "two clocks". One is prior commitments (e.g. you need to prep for an exbition that's already booked on your corporate calendar), the other is an always-on foundational stream of regular updates to the brand. Do cheap-but-impactful changes (colour, typography) first, heavier, more complex work (messaging, imagery, shoots) later

🏒/πŸš€ Link assets to category entry points (the buying triggers and situations, mapped to your ICPs) so the recognition you are building actually converts to being thought of when buying cycles open up

2. Visual identity

🏒/πŸš€ Treat the logo as the primary recall anchor. Use it prominently and consistently

πŸš€ Build a "visual system" around the logo. This is iconography, photographic and video treatment (colour grade, editing style), patterns, composited or collaged imagery, built at a core level then adapted into variants across your assets. You can work these into your templates (e.g. slide deck, Canva account etc so the internal team can make better use of it)

🏒/πŸš€Use unexpected colours. Deliberately move against the category norm (e.g. not blue in tech)

🏒/πŸš€Build asset combinations instead of single elements. Lock colour + shape + type to appear together (this is your co-presentation), since combo's are easier for a smaller brand to own than a single colour

🏒/πŸš€Define exact colour codes (e.g. Pantone, hex values), dominance ratios and contrast standards in the guidelines

🏒/πŸš€Choose or commission a distinctive typographic style and apply it everywhere

πŸš€ Develop a consistent, ownable photography and illustration style rather than generic stock. This can be as simple as a filter, or something more complex like a LUT for image or video grading.

πŸš€ Consider a brand character, mascot or "fluent device" (e.g. Salesforce's Astro). Characters score highly on B2B recognition and attribution and are entirely ownable. This is a harder one to sell in to leadership, and it also may not be appropriate for your market. Needs clear strategic consideration.

πŸš€ Create a distinctive recurring layout or compositional motif for decks, reports and social. You might need external support to build a range of templates for you

🏒 Brand early and often in every asset. Ensure the brand name and core assets are prominent, not saved for the end

🏒/πŸš€ Design highly unique assets into every LinkedIn post and content template

πŸš€ Develop motion and UI cues (animation style, product interface patterns, dashboard look) as assets

🏒 Trademark strong assets (colour combinations, characters, logos) once they are embedded, and keep a paper trail of use as evidence. You might need external professional support here in terms of registering your trademarks.

3. Verbal and messaging identity

🏒/πŸš€ Define a verbal identity beyond adjectives. These include voice attributes, messaging architecture, naming conventions and a brand lexicon. This can be market-specific too.

🏒 Commit to a focused, distinctive tone and attitude. Insist on it in prominent communications rather than generic "write like you speak" advice. Context is key here.

🏒/πŸš€ Build an owned vocabulary and consider proprietary terms (named methods, frameworks, diagnostics) but note that names rank lowest for recall in B2B (if only you understand the meaning then recall is a challenge for others)

🏒/πŸš€ Create a message map for each audience (clients, prospects, referrers, recruits) to keep messaging consistent

🏒/πŸš€ Develop a clear tagline for longer term use. Keep it concise, relevant and phrased in a way competitors would not say, and never rely on it as sole identifier

🏒 Avoid generic claims ("client-centric", "trusted partner", "innovative solutions"). If you have clear points of difference, back them up with proof points

🏒/πŸš€ Write a tone-of-voice guide with worked examples and do/don't samples. Make sure the wider team are trained in its use

🏒/πŸš€ Run writer training so the team and suppliers can apply the voice consistently and effectively

4. Signature owned assets

🏒/πŸš€ Build signature formats and owned recurring assets:. These could be a yearly report, a proprietary diagnostic, a recurring content format etc

🏒/πŸš€ Run original proprietary research (an annual benchmark study) as an ownable, citable asset. See our Shortlisted Pulse 2026 report as an example of this

🏒/πŸš€ Create a named, repeatable event, awards programme or index. Can be planned and designed with external support, but you'll ideally own the running of this inhouse

🏒/πŸš€ Package a proprietary methodology or framework with a distinctive name and visual. Some outside support might be needed for ideation and design

5. People assets

🏒 Build founder and embedded principal staff as recognisable people assets (the presentation of your Perspective component thought leadership programme)

⚠️ Avoid building assets around transient hires due to transience risk

🏒 Give principals a consistent thought-leadership persona, content pillars and voice (this is your Perspective core work, but there's an overlap here and I thought it best to mention)

🏒 Feature real named clients and employees as recurring characters or case-study protagonists (make sure you have clear, recorded permissions beforehand)

6. Client-experience-derived assets

🏒 Mine client experience (typically owned by ops/sales) as raw material for assets

🏒 Map the client journey as start-middle-end, then add this "journey" into your messaging framework

🏒 Apply a double filter. Things the business genuinely excels at AND things clients independently say they value most. This surfaces your most impactful messaging. Package the overlap into an owned, communicable, named property

7. Organisational and process notes

πŸ’‘ Get leadership buy-in by framing distinctive assets as valuable business assets and using the language of memory and mental market share. Talk P&L not vanity metrics.

πŸ’‘ Assign a single owner or small controlling group for the asset portfolio

πŸ’‘ Document an asset roadmap with short, medium and long-term build priorities

πŸ’‘ Budget for the long-term. Distinctiveness compounds over years, not campaigns

Get your Shortlistedβ„’ Score

Distinctiveness is one of six components in the Shortlistedβ„’ methodology, our system for building brand authority that actually drives revenue. Curious how memorable your brand really is? The Shortlistedβ„’ Check scores it in a few minutes.

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